<html><head><meta name="color-scheme" content="light dark"></head><body><pre style="word-wrap: break-word; white-space: pre-wrap;">\documentclass{article}
\synctex=1
\def\xstacked{xĚ€ĚĚ‚ĚĚ„Ě…Ě†Ě‡ĚĚ‰ĚŠĚ‹ĚŚĚŤĚŽĚŹĚ‘Ě“Ě”Ě˝ĚľÍ†ÍťÍ&nbsp;ÍˇĚ§Ě–Ě—ĚĚ™ĚśĚťĚžĚźĚ&nbsp;ĚŁĚ¤ĚĄĚ¦Ě©ĚŞĚ«Ě¬Ě­Ě®ĚŻĚ°Ě±Ě˛ĚąĚşĚ»ĚĽÍ‡ÍÍ‰ÍŤ}
%\def\ttxstackedup{\sffamily xĚ€ĚĚ‚ĚĚ„Ě…Ě†Ě‡ĚĚ‰ĚŠĚ‹ĚŚĚŤĚŽĚŹĚ‘Ě“Ě”Ě˝ĚľÍ†ÍťÍ&nbsp;Íˇ}
%\def\ttxstackeddown{\ttfamily xĚ§Ě–Ě—ĚĚ™ĚśĚťĚžĚźĚ&nbsp;ĚŁĚ¤ĚĄĚ¦Ě©ĚŞĚ«Ě¬Ě­Ě®ĚŻĚ°Ě±Ě˛ĚąĚşĚ»ĚĽÍ‡ÍÍ‰ÍŤ}
\usepackage{polyglossia}
\setmainlanguage{english}
\setotherlanguage[variant=polytonic]{greek}
\usepackage[hidelinks,pdfa]{hyperref}
%\usepackage{xgreek}
\usepackage[default,varnothing]{fontsetup}
\usepackage{unicodefonttable,graphicx,wrapfig,xcolor,calc}
\newfontfamily\lmboldsans{lmsans10-bold.otf}
\newfontfamily\newcmaltendings[CharacterVariant=2]{NewCM10-Book.otf}
\newfontfamily\newcmaltk[CharacterVariant=1]{NewCM10-Book.otf}
\newfontfamily\newcmdlig[RawFeature=+dlig]{NewCM10-Book.otf}
%\newfontfamily\uncial{NewCMUncial10-Book.otf}
\newfontfamily\newcmgreekguillemots[CharacterVariant=4]{NewCM10-Book.otf}
\newfontfamily\newcmrussianguillemots[CharacterVariant=3]{NewCM10-Book.otf}
\newfontfamily\showtiefont[CharacterVariant=5]{NewCM10-Book.otf}
\newfontfamily\ipafont[%Renderer     = {Harfbuzz},
StylisticSet = {05},ItalicFont=NewCM10-BookItalic]{NewCM10-Book.otf}
%
%%%%%%% Define Bold Math Font for version bold %%%%%%%
\setmathfont{NewCMMath-Bold.otf}[version=bold]
%%%%%%%%%%%%%%%%%%%%%%%%%%%% Devanagari text %%%%
\newfontfamily\hinditext[%
Script=Devanagari,%
BoldFont=NewCM10Devanagari-Bold.otf,
  % Renderer=Harfbuzz% Optionally for LuaTeX
]{NewCM10Devanagari-Book.otf}
\newfontfamily\marathitext[%
Script=Devanagari,%
Language=Marathi,
  % Renderer=Harfbuzz% Optionally for LuaTeX
]{NewCM10Devanagari-Book.otf}
\newfontfamily\sanskrittext[%
Script=Devanagari,%
Language=Sanskrit,
  % Renderer=Harfbuzz% Optionally for LuaTeX
]{NewCM10Devanagari-Book.otf}
\newfontfamily\nepalitext[%
Script=Devanagari,%
Language=Nepali,
  % Renderer=Harfbuzz% Optionally for LuaTeX
]{NewCM10Devanagari-Book.otf}
\newcommand{\devanagaritext}{\marathitext}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

\definecolor{mygray}{gray}{.9}
\definecolor{mygrayone}{gray}{.9}
\definecolor{mygraytwo}{gray}{.8}
\definecolor{mygraythree}{gray}{.78}
\definecolor{mygrayfour}{gray}{.75}
\definecolor{mygrayfive}{gray}{.65}
\definecolor{myred}{RGB}{255,66,32}
\newfontfamily\lrgstack[Scale=2.5,Color=myred]{NewCM10-Book.otf}
\newfontfamily\lrg[Scale=4,Color=myred]{NewCM10-Book.otf}
\newfontfamily\lrgs[Scale=4,Color=myred,StylisticSet=2]{NewCMSans10-Regular.otf}
\newfontfamily\lrgsiv[Scale=4,Color=myred,StylisticSet=4]{NewCMSans10-Regular.otf}
\newfontfamily\lrgb[Scale=4,Color=myred]{NewCM10-Bold.otf}
\newfontfamily\lrgu[Scale=4,Color=myred]{NewCMUncial10-Book.otf}
\newfontfamily\grayone[Color=mygrayone,Opacity=0.7,Scale=12]{NewCM10-Book.otf}
\newfontfamily\graytwo[Color=mygraytwo,Opacity=0.7,Scale=8]{NewCM10-Book.otf}
\newfontfamily\graytwos[Color=mygraytwo,Opacity=0.7,Scale=6]{NewCM10-Book.otf}
\newfontfamily\graythree[Color=mygraythree,Opacity=0.7,Scale=12]{NewCM10-Book.otf}
\newfontfamily\grayfour[Color=mygrayfour,Opacity=0.7,Scale=10]{NewCM10-Book.otf}
\newfontfamily\grayfive[Color=mygrayfive,Opacity=0.7,Scale=12]{NewCM10-Book.otf}
\newfontfamily\ugrayone[Color=mygrayone,Opacity=0.7,Scale=9]{NewCMUncial10-Book.otf}
\newfontfamily\ugraythree[Color=mygraythree,Opacity=0.7,Scale=12]{NewCMUncial10-Book.otf}
\newfontfamily\ugrayfour[Color=mygrayfour,Opacity=0.7,Scale=10]{NewCMUncial10-Book.otf}
%
\newfontfamily\grayoneb[Color=mygrayone,Opacity=0.7,Scale=12]{NewCM10-Book.otf}
\newfontfamily\graytwob[Color=mygraytwo,Opacity=0.7,Scale=10]{NewCM10-Book.otf}
\newfontfamily\graythreeb[Color=mygraythree,Opacity=0.7,Scale=12]{NewCM10-Book.otf}
\newfontfamily\grayfourb[Color=mygrayfour,Opacity=0.7,Scale=10]{NewCM10-Book.otf}
\newfontfamily\grayfiveb[Color=mygrayfive,Opacity=0.7,Scale=12]{NewCM10-Book.otf}
\newfontfamily\devgray[Color=mygrayfive,Opacity=0.4,Scale=10,Script=Devanagari]{NewCM10Devanagari-Book.otf}
\newfontfamily\devgraytwo[Color=mygrayone,Scale=10,Script=Devanagari,Language=Marathi]{NewCM10Devanagari-Book.otf}
\newcommand\leftgrquotes{\char"201C} %{\char"2018}
\newcommand\rightgrquotes{\char"201E} %{\char"2019}
\newcommand{\acro}{\relax}
%%% Start of metadata %%%

\newtheorem{theorem}{ÎÎµĎŽĎÎ·ÎĽÎ±}[section]
\newtheorem{devtheorem}[theorem]{ŕ¤ŞŕĄŤŕ¤°ŕ¤®ŕĄ‡ŕ¤Ż}

%\DeclareSymbolFont{devletters}{\encodingdefault}{NewCMMath-Regular.otf(0)}{}{}
%\ExplSyntaxOn
%\int_step_inline:nnn { "0900 } { "097F }
%{
%  \Umathcode #1 = "0 ~ \use:c{ symdevletters } ~ #1
%}
%\ExplSyntaxOff


\renewcommand{\arraystretch}{1.4}


\title{The New Computer Modern FontFamily\\ version 6.0.0}
\author{Antonis Tsolomitis}
%\address{Department of Mathematics\\ University of the Aegean\\ Karlovassi, 832\,00 Samos\\ Greece}
%\netaddress{atsol (at) aegean dot gr}
%\personalURL{https://myria.math.aegean.gr/~atsol/}
%%% End of metadata %%%
\usepackage{pstricks,hvlogos}
\begin{document}

%
\rput(-2,-3){\devgray ŕ¤˛}%
\rput(10.2,-4){\devgraytwo ŕ¤˛\char"093F\char"0902}%
\rput(0,0){\grayone Î¶}\rput(1,-0.5){\grayfour Î˛}
\rput(0,-5){\grayone áĽ†}\rput(1,-5){\graythree áĽ}\rput(2.5,-5){\grayone áĽ¶}%
\rput(3.5,-5){\graythree áż—}\rput(5,-5){\grayone áľ¦}\rput(6,-5){\graythree áľ“}
\rput(-2,2){\scalebox{1.5}{\graythree Îł}}
\rput(5,-1.5){\graytwo ×}\rput(0,-10){\graytwo ×©}\rput(6,-12.5){\graytwo ď¬¬}
\rput(14,-14){\ugraythree Î•}
\rput(1,-14){\ugrayfour Î©}%
\rput(4.2,-19.8){\ugraythree t}
\rput(3,-21){\ugrayfour M}%
\rput(4,-15){\ugraythree D}
\rput(5,-14){\ugrayone H}
\rput(5,1.5){\grayone Ď€}
\rput(3,1.5){\graytwo Î´}
\rput(2,-11){\graytwos áŹ‰}
\rput(3,-12){\graytwo Ń˝}
\rput(4,-10){\graythree Î¨}
\rput(7,-10){\grayone É®}
\rput(-2,-14){\graytwo ĘĄ}
\rput(0,-17){\ugraythree Î”}
\rput(1,-16){\grayone Îľ}
\rput(5,-18){\grayfour Ď‹}
\rput(9,-19){\ugrayone Î’}
\rput(7,-15){\graytwo Ć„}
\rput(10,-2){\grayfive Ć´}
\rput(-3.7,-17){\graytwo đ…´}
\rput(6,0){\ugraythree G}
\rput(-3,-11){\graytwo Ď’}
\rput(-2,-10){\ugraythree \&amp;}
\rput(-5,-12){\graytwo Đ®}
%
\rput(0,-12){\graytwos áŽŁ}
\rput(8,-13){\graytwos â˛Ś}
\rput(9,-12){\graytwos â˛Ż}
\rput(8,-15){\graytwos â˛ś}
\rput(-2,-17){\graytwos áŽą}
\rput(-2.5,-20){\ugraythree @}
\rput(-1,-19){\grayfour Î»}
\rput(8,-20){\graytwos Đ–}
\rput(7,-21){\graytwos âłš}
\rput(6,-10){\graytwos đ…·}
\rput(7,-17){\graytwos đ‹Ł}
\rput(3,-18){\graytwos â&nbsp;Ł}
\rput(12.0,-16){\lrgstack\color{myred} \xstacked}
\rput(10,-10){{\lrgsiv Î‘} {\lrgs Î‘}}
\rput(10,-12){\lrg a A}
\rput(10,-14){\lrg  áľ áľŤ}
\rput(10,-16){\lrg  â˛ â˛€}
\rput(10,-18){\lrgu a A}
\rput(10,-20){\lrg × ď¬°}
\rput(10,-22){\lrg ę­ż áŽŻ}


%
\thispagestyle{empty}
\psline[linewidth=3cm,linecolor=white](-6,-7)(17,-7)
\rput(5.5,-6.6){\color{myred}\huge The NewComputerModern FontFamily}
\rput(5.5,-7.6){\Large Antonis Tsolomitis\ \textbullet\ University of the Aegean\ \textbullet\ Department of Mathematics}
\psline[linewidth=2cm,linecolor=myred](15.9,-7)(17,-7)
\psline[linewidth=2cm,linecolor=myred](-6,-7)(-4.8,-7)



\newpage

\null\thispagestyle{empty}


%\vfill
%
%\ttxstackedup \qquad
%{\ttxstackeddown}
%
%\vfill
%

\newpage

%\end{document}

\maketitle
\tableofcontents

\section{Introduction}
The NewComputerModern FontFamily is a huge extension (``huge'' in terms of
the number of additional glyphs)
of the \verb|lm| fonts. It is not just a family adding random missing glyphs but it
adds support for several more languages and shapes needed for academic (and not only) work.
Currently it supports among others, Greek\footnote{from Claudio Beccari's Greek.},
Cyrillic\footnote{from the \texttt{cmu} package.}, Hebrew, Cherokee and
Coptic. Since it supports
diacritics stacking the number of languages that use the Latin alphabet is greatly expanded. 
Diacritics stacking is also needed for Greek for papyrological work and this is also supported.

Version 4.0 adds to the classic design of computer modern new shapes for Latin and Greek,
in particular it adds families for Medieval Latin and Uncial Greek matching in style to the
main family.

In terms of weights and sizes, all of its shapes come in Regular, Book weights
at 10 and 8 point sizes and in Bold at 10 points.

Mathematics is also supported in Regular and Book weights, currently providing
a full coverage of the Unicode Math blocks (with a few more glyphs needed for Mathematics
that Unicode has forgotten to encode).

\textit{What follows is a sequence of commands and results so as to show how to access all features
of the fonts. Character tables are also included}.

\textsc{Important:} If you want to provide patches for the fonts
please contact me before you create them. The fonts evolve quickly
and you may not have the latest development version and your patches
may not apply if created for the published version.


\section{How to load the fonts}
The simpler way to load the fonts is through the \verb|fontsetup| package. The command

\verb|\usepackage[default]{fontsetup}|

\noindent will load the Book weight of the NewCM family, and

\verb|\usepackage[olddefault]{fontsetup}|

\noindent will load the Regular weight.

Also notice that the fonts support the microtype package for fine typographic tuning. See the
documentation of microtype for this.

\section{The Latin alphabet}

\subsection{Ligatures and stylistic alternatives in Latin}
{\newcmaltk
The Serif font includes additional
ligatures fb ffb ffh ffj ffk fft fh fj ft fk and the same with longs instead of f
in the \textit{default} liga table (in addition to the default fi fl ffi ffl ff).
It also includes an alternative k (in the cv01 table) and
{\newcmdlig sp ch ck ct st il}
in the dlig table. Finally it also inludes} ``end'' {\newcmaltk versions for the letters
a, e, m, n and r in the cv02 table.
}
To access the alternative k load the relative font (here the Book weight) with

\verb|\setmainfont[CharacterVariant=1]{NewCM10-Book.otf}|

To load the same font with the dlig table enabled use

\verb|\setmainfont[RawFeature=+dlig]{NewCM10-Book.otf}|

and to load the font with endings variations use

\verb|\setmainfont[CharacterVariant=2]{NewCM10-Regular.otf}|

Of course the above can be mixed separating the optional arguments with comma,
or one can define a custom font say by using

\verb|\newfontfamily\myfont[&lt;options to enable&gt;]{NewCM10-Book.otf}|

\begin{center}
  \begin{tabular}{c|c|c|c}
    Book &amp;   k &amp; a e m n r &amp; sp ch ck ct st il\\ \hline
    cv01 &amp; {\newcmaltk k} &amp; &amp; \\ \hline
    cv02 &amp; &amp; {\newcmaltendings a e m n r} &amp;  \\ \hline
    dlig &amp; &amp; &amp; {\newcmdlig sp ch ck ct st il}
  \end{tabular}
\end{center}

\subsection{Oldstyle numbers}

Typically oldstyle numbers are available in \verb|onum| Lookup
and with the \verb|\textsc| if \verb|fontsetup| is loaded.
Also available they are with \verb|\oldstylenums|.
There are two series, one is with variable widths and one with
fixed width for use in tables. The code

\begin{verbatim}
\oldstylenums{0123456789}\addfontfeatures{Numbers=Tabular}
\textsc{0123456789}
\end{verbatim}
gives

\oldstylenums{0123456789}\addfontfeatures{Numbers=Tabular}

\textsc{0123456789}\addfontfeatures{Numbers=Proportional}

\medskip

\noindent An alternative design is also provided for the number 1 in cv06.
The code

\begin{verbatim}
\oldstylenums{0123456789}\addfontfeatures{CharacterVariant=6}
\oldstylenums{0\textcolor{red}{1}23456789}
      \addfontfeatures{CharacterVariant=6,Numbers=Tabular}
\oldstylenums{0\textcolor{red}{1}23456789}
\end{verbatim}
gives


\oldstylenums{0123456789}\addfontfeatures{CharacterVariant=6}

\oldstylenums{0\textcolor{red}{1}23456789}\addfontfeatures{CharacterVariant=6,Numbers=Tabular}

\oldstylenums{0\textcolor{red}{1}23456789}




\subsection{Old Italic}

The fonts also fully support the Old Italic Unicode block
(U10300--U1032F) in the Sans font. For example, the slots
U10307, U10310, U10312, U10314, U1031F and U1032F are
{\sffamily\char"10307\char"10310\char"10312\char"10314\char"1031F\char"1032F}.

\subsection{Diacritics Stacking}
\marginpar{\begin{center}
{\color{red}$\rightarrow$}\ \xstacked\quad{\sffamily\xstacked}\quad{\ttfamily\xstacked}\ {\color{red}$\leftarrow$}
\end{center}}
Diacritics---the full block U+0300 to U+036F---and diacritics stacking
is supported.
In the margin you can see an example of stacking on the letter ``x'' in Roman, Sans and Mono.
If you need to enter
these accents you can use the \verb|\char| command or just copy-paste from the following line
(from this pdf file or the provided source \TeX\ file):
\begin{center}
  \textit{Some} of the upper accents\\[1ex]
{\Large  Ě€\quad Ě\quad Ě‚\quad Ě\quad Ě„\quad Ě…\quad\quad Ě†\quad Ě‡\quad Ě\quad Ě‰\quad ĚŠ\quad Ě‹}\\
{\Large  ĚŚ\quad ĚŤ\quad ĚŽ\quad ĚŹ\quad Ě‘\quad Ě“\quad Ě”\quad Ě˝\quad Ěľ\quad Ěš\quad Í†\quad Íť\quad Í&nbsp;\quad Íˇ}\\
\textit{Some} of the lower accents\\
{\Large Ě§\quad Ě–\quad Ě—\quad Ě\quad Ě™\quad Ěś\quad Ěť\quad Ěž\quad Ěź\quad Ě&nbsp;\quad ĚŁ\quad Ě¤\quad ĚĄ\quad Ě¦}\\
{\Large Ě©\quad ĚŞ\quad Ě«\quad Ě¬\quad Ě­\quad Ě®\quad ĚŻ\quad Ě°\quad Ě±\quad Ě˛\quad Ěą\quad Ěş\quad Ě»\quad ĚĽ\quad Í‡\quad Í\quad Í‰\quad ÍŤ}
  \end{center}
  Please note that stacking is by default supported with xetex. With luatex
  you have to add the option \texttt{Renderer=Harfbuzz}, say by

  \noindent\verb|\addfontfeatures{Renderer=Harfbuzz}|

Also notice that your text editor may not support stacking. The editor may show the
accents one after the other, but the pdf produced by xetex or luatex will have the accents stacked.

\subsubsection{Coloring diacritics}

If one wants to use color for diacritics, different from the color of the base character
this does not work with \XeLaTeX\ (the commands of the \verb|color| package
break the stacking mechanism). It works though with \LuaLaTeX\ using the \verb|luacolor|
package. However, there is a problem when the base glyph and the first diacritic above
exist in the font as a precomposed character. For example, this is the case
with aacute (Ăˇ) (U+00E1). Such characters are treated as one by Lua and they can not
be colorized with different colors. A work around is to place the empty character U+034F
between ``a'' and acute (U+0301). So the following minimal example
produces the result below:


\begin{verbatim}
\documentclass{article}
\usepackage[olddefault]{fontsetup}
\usepackage{luacolor}
\pagestyle{empty}
\newfontfamily{\ncmtest}[Renderer=Harfbuzz]{NewCM10-Regular.otf}
\definecolor{orange}{RGB}{255,191,0}
\definecolor{colorone}{RGB}{91,0,250}
\definecolor{colortwo}{RGB}{250,0,121}
\definecolor{colorthree}{RGB}{0,204,250}
\definecolor{colorfour}{RGB}{14,250,0}
\definecolor{colorfive}{RGB}{255,150,0}
\definecolor{colorgray}{gray}{0.8}
\newcommand{\emptydiacritic}{\char"034F}
\begin{document}
\Huge
{\ncmtest \color{colorgray}a\color{colorfour}Ě–\color{colortwo}Ě—%
\emptydiacritic\color{colorthree}Ě \color{colorone}Ě€ \color{colorfive}Ě }
\end{document}
\end{verbatim}

\vspace{-5.5cm}


\null \hfill\includegraphics[scale=2]{colored-diacritics.pdf}


\vspace{2cm}


\section{Greek}


The full Unicode Greek block is supported, which is
\begin{itemize}
  \item U0370--U03FF for monotonic, where missing glyphs, such as Heta (Í°),
    Pamphilian digamma (Í·) etc, have been added. For example, it is now possible to write

    \centerline{Î˛ÎąĎÎ»ÎŻÎż instead of Î˛ÎąÎ˛Î»ÎŻÎż.}
    
  \item U1F00--U1FFF for polytonic, and
  \item U10140--U1018F for ancient Greek numbers.
\end{itemize}
    

\begin{theorem}[Î&nbsp;Ď…Î¸Î±ÎłĎŚĎÎµÎąÎżÎ˝]
áĽÎ˝ Ď„Îżáż–Ď‚ á˝€ĎÎ¸ÎżÎłĎ‰\-Î˝ÎŻ\-ÎżÎąĎ‚ Ď„ĎÎąÎłĎŽÎ˝ÎżÎąĎ‚ Ď„á˝¸ áĽ€Ď€á˝¸ Ď„áż†Ď‚ Ď„á˝´Î˝ á˝€ĎÎ¸á˝´Î˝ ÎłĎ‰Î˝ÎŻÎ±Î˝ á˝‘Ď€Îż\-Ď„ÎµÎą\-Î˝ÎżĎŤ\-ĎÎ·Ď‚ Ď€Î»ÎµĎ…Ďáľ¶Ď‚
Ď„ÎµĎ„ĎÎ¬ÎłĎ‰Î˝ÎżÎ˝ áĽ´ĎÎżÎ˝ áĽĎĎ„á˝¶ Ď„Îżáż–Ď‚ áĽ€Ď€á˝¸ Ď„áż¶Î˝ Ď„á˝´Î˝ á˝€ĎÎ¸á˝´Î˝\hspace{-1pt} ÎłĎ‰Î˝ÎŻÎ±Î˝ Ď€ÎµĎÎąÎµĎ‡ÎżĎ…Ďáż¶Î˝ Ď€Î»ÎµĎ…Ďáż¶Î˝ Ď„ÎµĎ„ĎÎ±ÎłĎŽÎ˝ÎżÎąĎ‚.
\end{theorem}


Small Caps is included (in Mono font too) and all polytonic accents of Greek.
Ypogegrammeni is the default for all characters including Small Caps and prosgegrammeni
is offered as an alternative shape in the \texttt{ss01} lookup table:
\begin{center}
\begin{tabular}{c|c|c}
 &amp;  ypogegrammeni &amp; prosgegrammeni\\ \hline
regular &amp;  áľ‹ áľź áľŻ \textsc{áľłáżáżł} &amp; {\textprosgegrammeni{áľ‹ áľź áľŻ \textsc{áľłáżáżł}}}\\ \hline
sans &amp;{\sffamily  áľ‹ áľź áľŻ \textsc{áľłáżáżł}} &amp; {\sffamily{\textprosgegrammeni{áľ‹ áľź áľŻ \textsc{áľłáżáżł}}}}\\ \hline
mono &amp; {\ttfamily  áľ‹ áľź áľŻ \textsc{áľłáżáżł}} &amp; {\ttfamily{\textprosgegrammeni{áľ‹ áľź áľŻ \textsc{áľłáżáżł}}}}
\end{tabular}
\end{center}
The prosgegrammeni alternates can be accessed with 

\medskip

\verb|\textprosgegrammeni{&lt;text&gt;}|

\noindent or the

\verb|{\prosgegrammeni &lt;text&gt;}|

\medskip

\noindent of the \texttt{fontsetup} package.

\subsection{Other character variants}

Guillemots (left and right) have a different shape for Greek. For this to work
the fonts must be loaded with the cv04 character variant.

  
Compare the default guillemots: Â«Â» with Greek guillemots:
\textlang{greek}{\newcmgreekguillemots Â«Â»}. 

There is a serious problem with Unicode and the Greek anoteleia (U0387); the Greek semicolon. 
Unicode ``thinks'' that this character is the same with periodcentered (U00B7). This influences
the way keyboards are configured by several vendors such as xorg. Anoteleia
is a dot written at x-height and not at 1/2 the x-height as the periodcentered.
Although Unicode recognizes the problem\footnote{personal communication}, althought
they recognize that with their current standard you can not correctly write the Greek language,
they refuse to fix it, justifying it by saying the magical words ``backwards compatibility''
(to a \ldots{}mistake, one could add).

NewComputerModern can not allow this, as it defies the purpose of its
existence, which is to properly write every supported language. So
enabling the CharacterVariant 04 (cv04) in addition to correct
guillemots for Greek it maps periodcentered (produced by the keyboards
(in Greek Linux keyboards by AltGr+q) to proper anoteleia.

It also fixes a long standing issue with the Greek apostrophe (áľ˝)(U1FBD) which
is not the same with quoteright (â€™)(U2019). U1FBD named as ``Greek Koronis''
by Unicode is the proper character.

Another problem that has to do with
quotes inside quotes. The internal quotes in Greek should be written with
the characters quotedblleft and quotedblbase\footnote{ÎśÎ±Î˝ĎŚÎ»Î·Ď‚ Î¤ĎÎąÎ±Î˝Ď„Î±Ď†Ď…Î»Î»ÎŻÎ´Î·Ď‚, \textit{ÎťÎµÎżÎµÎ»Î»Î·Î˝ÎąÎşÎ® Î“ĎÎ±ÎĽÎĽÎ±Ď„ÎąÎşÎ® Ď„Î·Ď‚ Î´Î·ÎĽÎżĎ„ÎąÎşÎ®Ď‚}, Î‘Î˝Î±Ď„ĎŤĎ€Ď‰ĎÎ· Ď„Î·Ď‚ Î­ÎşÎ´ÎżĎÎ·Ď‚ Ď„ÎżĎ… \textsc{ÎżÎµĎÎ˛ 1941} ÎĽÎµ Î´ÎąÎżĎÎ¸ĎŽĎÎµÎąĎ‚, ÎÎµĎĎÎ±Î»ÎżÎ˝ÎŻÎşÎ· \textsc{2002}, ĎÎµÎ».~\textsc{66}, ÎµÎ˝ĎŚĎ„Î·Ď„Î±~\textsc{133}.}. For example, this is correct for Greek
\begin{center}
 {\newcmgreekguillemots  Â«Î¬Î»Ď†Î± \leftgrquotes Î˛Î®Ď„Î±\rightgrquotesÂ»}
\end{center}
But the keyboards only produce quotesingle which is already mapped to apostrophe
and it is difficult to remember the names ``quotedblleft'' and ``quotedblbase''. 
So when enabling cv04 one can define the commands

\verb|\newcommand\leftgrquotes{\char"201C}| %{\char"2018}

\noindent and

\verb|\newcommand\rightgrquotes{\char"201E}| %{\char"2019}

\noindent for the rare case one needs quotes inside quotes. The \verb|fontsetup| package
does this automatically for Greek if the \verb|xgreek| package has been loaded \textit{before}
the \verb|fontsetup| package or when the language is set to Greek by, say, the Babel package.
Otherwise, for non-Greek documents with small passages of Greek,
the author may enable \verb|cv04| by creating a custom command such as

\verb|\newcommand\propergreek[CharacterVariant=4]{NewCM10-Book.otf}|


A phrase with Greek quotes inside quotes, proper anoteleia, and proper apostrophe is

\begin{center}
{\newcmgreekguillemots  Â«Ď†ĎŽÎ˝Î±Î¶Îµ: \leftgrquotes Î±Ď€' Î­ÎľĎ‰ Ď„Î·Î˝ Ď€ĎÎżĎ€Î±ÎŻÎ´ÎµÎąÎ±\rightgrquotesÂ»Â· ĎÎ±Î˝ ÎµÎşÎ´ÎŻÎşÎ·ĎÎ· Î±ÎşÎżĎ…ÎłĎŚĎ„Î±Î˝\ldots}
\end{center}

\subsection{Prosodic symbols}

In Greek philology and in linguistics it is often needed to stack accent-type symbols above letters,
even if they are not vowels. Although rare in writings, it is for example valid to place dieresis
over the consonants Ď€, Ď„ and Îş of the nasal complexes ÎĽĎ€, Î˝Ď„, ÎłÎş
when it is necessary to show that these are pronounced, as written, voiceless, and not voiced.
For example,
\begin{center}
ÎşÎżÎĽĎ€ĚĎÎ­ĎÎ±, \quad Î±Î˝Ď„ÎąÎ±Î˝Ď„ĚÎ±Î˝Ď„ĚÎąÎşĎŚĎ‚, \quad ÎµÎ»ÎµÎłÎşĚĎ„Î®Ď‚
\end{center}
(see previous footnote). The fonts support this writing if a combining dieresis is placed after
the letter to receive it. The combining dieresis is the character U0308. On Linux desktops this is
easily entered pressing Alt+Control+u, release them, and type the sequence 0308 and space.

More than that, in linguistics, they need to combine several accents above Greek letters. All this
stacking of accents is supported by the fonts. For example, one can write
\begin{center}
Î±Ě„áżŹ\quad Îµáľżáż€\quad áĽĚ† \quad áĽŽĚ„ \quad áżĽáľżáż€\quad Î±Ě„Î„\quad Î§Ě†áľż\quad ÎąĚ„ĚÎ„
\end{center}
by placing the combining accents from the Unicode block U0300--U0362 plus the usual Greek accents
\textit{after} the letter.
So the above was typed as
\begin{center}
{\ttfamily Î± Ě„\hspace*{-5pt} áżŹ\qquad Îµ\hspace*{-5pt} áľż áż€\qquad áĽ Ě† \quad áĽŽ Ě„ \qquad áżĽ\hspace*{-5pt} áľż áż€\qquad Î± Ě„\hspace*{-5pt} Î„\qquad Î§ Ě†\hspace*{-5pt} áľż\qquad Îą Ě„ Ě\hspace*{-5pt} Î„}
\end{center}

\subsection{Archaic Greek writing}
The Sans Serif Regular font provides access to 6th century bce and 4th century bce Greek capitals
in ss04 and ss03 lookups. The \texttt{fontsetup} package provides commands such as\begin{center}
\verb|\textivbce{}|, \verb|\ivbce|, \verb|\textvibce{}| and \verb|\vibce|
\end{center}
%to access them if loaded
%with the \verb|[default]| or \verb|[olddefault]| option.
\begin{center}
  \begin{tabular}{c}
    6th century bce:\\ \hline
    \textvibce{ÎśÎ—Î”Î•Î™ÎŁ Î‘Î“Î•Î©ÎśÎ•Î¤ÎˇÎ—Î¤ÎźÎŁ Î•Î™ÎŁÎ™Î¤Î©}\\ \hline\hline
    4th century bce:\\ \hline
     \textivbce{ÎśÎ—Î”Î•Î™ÎŁ Î‘Î“Î•Î©ÎśÎ•Î¤ÎˇÎ—Î¤ÎźÎŁ Î•Î™ÎŁÎ™Î¤Î©}
  \end{tabular}
\end{center}
Moreover, all fonts (except Mono \&amp;\ Math) support Ancient Greek
Numerals (the full Unicode block of Greek digits U10140--U1018E is supported),
with most symbols designed from scratch (and did not exist in C. Beccari's original fonts).
A few of the new symbols:
\begin{center}
đ…‹đ…Śđ…Ťđ…Źđ…Żđ…´đ†‰
\end{center}
The four numerals that already existed in 
this range (that is U10144--U10147) in Beccari's fonts have been altered to a new
design matching the style of cm but also provide some Ancient Greek flair.
The new designs in Serifed and SansSerifed are:
\begin{center}
đ…„đ……đ…†đ…‡ \quad \textsf{đ…„đ……đ…†đ…‡}
\end{center}
The \texttt{fontsetup} package provides commands for all of the above symbols.
The commands follow the Unicode name of each slot (minus the ``Greek Acrophonic'').
So the Unicode slot U1014F named ``Greek Acrophonic Attic Five Staters'' can be accessed
with the command \verb|\atticfivestaters| and it gives \atticfivestaters; and the
slot u10182 named ``Greek Kyathos Base Sign'' can be accessed with the command
\verb|\greekkyathosbasesign| and it gives \greekkyathosbasesign.


\subsection{Aegean Numbers}
Aegean numbers are supported in the Sans fonts and their slots are defined in \verb|fontsetup|
package using commands of the form \verb|\aegeanXXXX| where \verb|XXXX| is the Unicode name
of the character (without spaces).
A few examples are:
\begin{center}
\aegeanseven\quad
\aegeanfivehundred\quad
\aegeanfourthousand\quad
\aegeanfiftythousand\quad
\aegeanweightbaseunit\quad
\aegeanweightfirstsubunit\quad
\aegeanweightsecondsubunit\quad
\aegeanweightthirdsubunit\quad
\aegeanweightfourthsubunit\quad
\aegeandrymeasurefirstsubunit\quad
\aegeanliquidmeasurefirstsubunit\quad
\aegeansecondsubunit\quad
\aegeanthirdsubunit
\end{center}
and the whole table of Aegean Numbers with the commands to access the glyphs
is shown on page \pageref{AegeanNumbers}.




\subsection{Support for Papyrology}
Papyrology needs to declare that a glyph is missing from the papyrus or
the papyrus is worn at this point and the papyrologist adds the missing glyph
but it is not clear from the papyrus. This is done by adding a dot below the glyph
and it is supported for all Greek glyphs in the upright fonts monotonic or polytonic:
\begin{center}
{\Large Î‘ĚŁ\quad áĽŽĚŁ\quad áľžĚŁ\quad áĽ‡ĚŁ\quad áľ¦ĚŁ\quad áżĄĚŁ}
\end{center}
where in the source we just typed the dot below (char U0323) after the glyph.
This feature is supported for the 4th bce and 6th bce Greek in Sans:
\begin{center}
  \textvibce{\Large Î“ĚŁÎ•ĚŁÎ©ĚŁÎśĚŁÎ•ĚŁÎ¤ĚŁÎˇĚŁÎ™ĚŁÎ‘ĚŁ}
  \quad\quad\textivbce{\Large Î“ĚŁÎ•ĚŁÎ©ĚŁÎśĚŁÎ•ĚŁÎ¤ĚŁÎˇĚŁÎ™ĚŁÎ‘ĚŁ}
\end{center}


\subsection{Support for Chemistry}
It happens often that Greek upright characters are needed in Chemistry. People often
have trouble with this (and this is why packages such as \texttt{chemgreek} exist).
If Greek keyboard is available then it is easy; you just type in Greek, say
\texttt{Î˛-glucan} to get ``Î˛-glucan''.
But many writers do not have the Greek keyboard enabled, and they do not need to.
Usually they type \verb|$\beta$-glucan| but the result ``$\beta$-glucan'' is not satisfying.
One can use the ``up'' versions typing \verb|$\upbeta$-glucan| but still the result
``$\upbeta$-glucan'' looks more Math than Chemistry.
To help with this, the \texttt{fontsetup} package provides commands such as \verb|\chemAlpha|,
\verb|\chemalpha|, \verb|\chemBeta|, \verb|\chembeta|, etc. So this information essentially would
only belong to the \verb|fontsetup| documentation if it was not for kappa and rho. If we type
in Greek \texttt{Îş-compound} we get ``Îş-compound'' which is not satisfying, as kappa is too
cursive for this use. So the NewCM family provides an alternative kappa for this reason
and this is how \verb|\chemkappa| is defined in \verb|fontsetup|:

\verb|\newcommand{\chemkappa}{\textrm{\char"03F0}}|:
\begin{center}
  We write \verb|\chemkappa-compound| and now get ``\chemkappa-compound''.
\end{center}
(The \verb|\textrm| command in the above definition is there to make the command work
in math mode too.)
Similar is the situation for \verb|\chemrho| (\chemrho) and \verb|\chemrhoalt| (\chemrhoalt).






\section{Russian}
Russian is supported using the glyphs from the \verb|cmu| package but it has considerable
improvements (for example, the quality of the bold sans (see below)).
\begin{verse}
ĐŻ ĐżĐľĐĽĐ˝ŃŽ Ń‡ŃĐ´Đ˝ĐľĐµ ĐĽĐłĐ˝ĐľĐ˛ĐµĐ˝ŃŚĐµ:\\
ĐźĐµŃ€ĐµĐ´Đľ ĐĽĐ˝ĐľĐą ŃŹĐ˛Đ¸Đ»Đ°ŃŃŚ Ń‚Ń‹,\\
ĐšĐ°Đş ĐĽĐ¸ĐĽĐľĐ»ĐµŃ‚Đ˝ĐľĐµ Đ˛Đ¸Đ´ĐµĐ˝ŃŚĐµ,\\
ĐšĐ°Đş ĐłĐµĐ˝Đ¸Đą Ń‡Đ¸ŃŃ‚ĐľĐą ĐşŃ€Đ°ŃĐľŃ‚Ń‹.\\
\hspace{3cm}(ĐźŃŃĐşĐ¸Đ˝ŃŠ)
\end{verse}
Again, as in Greek there is a different kind of guillemots for Russian which are available
in CharacterVariant 3 (cv03). Compare:
\begin{center}
Defaults guillemots: Â«Â» \quad Russian guillemots: {\newcmrussianguillemots Â«Â»}\quad Greek guillemots: {\newcmgreekguillemots Â«Â»}
\end{center}
Same is the situation with Russian emdash which is shorter than the default:
\begin{center}
\begin{tabular}{rl}
  Default emdash: &amp; ---\\
  Russian emdash: &amp; {\newcmrussianguillemots ---}
\end{tabular}
\end{center}


\section{Hebrew}
\noindent The Hebrew blocks U0590--U05FF and Hebrew Presentation forms
UFB1D--UFB4F are fully covered. and  A few letters from Hebrew: 
\begin{center}
 ××‘×’×“×”×•ď¬Şď¬­ď¬Ľď­†
\end{center}

\section{Coptic and Epact Numbers}
\noindent The Coptic language is fully supported. This covers the Coptic blocks
in the Greek and Coptic Unicode
block (U03E2--U03EF), the full Coptic Unicode block (U2C80--U2CFF) and the Coptic Epact Numbers
(U102E0--U102FF).
A few letters from Coptic and Epact numbers follow: 
\begin{center}
â˛—â˛źâ˛…â˛źâ˛Ą â˛›Ě€â˛â˛“â˛…â˛©â˛ˇâ˛§â˛“â˛źâ˛Ą \quad đ‹ˇ đ‹˘ đ‹Ł đ‹¤ đ‹Ą
\end{center}




\section{Cherokee}
Both Unicode blocks 
U13A0--13FF and UAB70--UABBF for Cherokee are supported.
% A few letters are:
%\begin{center}
%  áŽŁáŽ¤áŽąáŹŠáŹ  ę­łę­´ę­·ę®‚ę®”ę®ż
%\end{center}
The samples below were kindly provided by Sedi Eastwood:

\medskip

\noindent Sample 1:
\begin{center}
\begin{tabular}{ll}
  \begin{minipage}{5cm}  áŽ¬áŹŁáŽµáŹ¨áŹ—áŹŁáŹ“áŹ˛áŽŻáŹŤáŹ— áŽ˘áŹ¤áŽ®áŹŤáŹ—\\
    \textsf{áŽ¬áŹŁáŽµáŹ¨áŹ—áŹŁáŹ“áŹ˛áŽŻáŹŤáŹ— áŽ˘áŹ¤áŽ®áŹŤáŹ—}
\end{minipage}
  &amp;
  \begin{minipage}{6cm}
    Live/exist in a manner that there is never a reason or purpose to let go of one another.\\
    (gvjalijvdijadayohisdi ijehesdi\\
\hphantom{(}gvtsalitsvditsadayohisdi itsehesdi)
  \end{minipage}
\end{tabular}
\end{center}


\medskip

\noindent Sample 2:
\begin{center}
\begin{tabular}{ll}
\begin{minipage}{4cm}  áŹ•áŹŁáŹ“áŽ¨áŹłáŹŽáŹŤáŹ—\\ \textsf{áŹ•áŹŁáŹ“áŽ¨áŹłáŹŽáŹŤáŹ—} 
\end{minipage}
  &amp;
  \begin{minipage}{6cm}
    Value the existence of one another.\\
    (dejadageyusesdi\\
\hphantom{(}detsadageyusesdi)
  \end{minipage}
\end{tabular}
\end{center}

\medskip

\noindent Sample 3:
\begin{center}
\begin{tabular}{ll}
\begin{minipage}{4cm}  áŽĄáŽµáŹŤáŽ¨áŹ— áŹ•áŹŁáŹ“áŹ°áŽ¸áŹŽáŹŤáŹ—\\ \textsf{áŽĄáŽµáŹŤáŽ¨áŹ— áŹ•áŹŁáŹ“áŹ°áŽ¸áŹŽáŹŤáŹ—} 
\end{minipage}
  &amp;
  \begin{minipage}{6cm}
    Think of one another as sacred or hold the existence of others sacred.\\
    (vlisgedi dejadayelvsesdi)
  \end{minipage}
\end{tabular}
\end{center}


\section{Canadian Aboriginal Syllabics}

\newfontfamily{\textsfca}[BoldFont=NewCMSans10-Bold.otf,%
ItalicFont=NewCMSans10-BookOblique.otf]{NewCMSans10-Book.otf}

Canadian Aboriginal Syllabics are supported in the sans font.
The full Unicode blocks are covered, which are
U1400--U167F, U18B0--U18F5, and U11AB0--U11ABF.

Some examples in Blackfoot SiksikĂˇ:

\noindent Blackfoot-speaking real people: {\textsfca á–ąáźá’§á§á’Łá‘Ż}
SiksikĂˇ: {\textsfca á“±á–˝á§á–ż}\\ 
SiksikĂˇĂ­ĘĽpowahsin: {\textsfca á“±áá“±áá–łáźá‘˛á–·á‘Šá“±áˇ} In bold: {\textsfca\bfseries á“±áá“±áá–łáźá‘˛á–·á‘Šá“±áˇ}\\ 
Niitsipowahsin: {\textsfca á–ąá¨á“±á‘˛á–·á‘Šá“±áˇ} In oblique: {\textsfca\itshape á–ąá¨á“±á‘˛á–·á‘Šá“±áˇ}

\medskip

Some more in Cree:

\begin{tabular}{l|l}
\begin{minipage}{5.5cm}
\noindent{\textsfca áŚáá‘Ż á…á’Ş áŠá“Żá“‚áŹá’Łá“‚á‘˛áŁ á‘­á’Ąá“‡áá&nbsp;}\\
{\textsfca áá“‚á“‚áá&nbsp; á’Şá“‚á‘á¸ á‘˛áŠá”­á’‹á&nbsp;á™® ááá‘żá“‚á&nbsp; á…á‘­}\\
{\textsfca á‘˛á“„á’‹á¦á‘•á’‹á&nbsp; áŠá“Żá“‚áŹáŠá‘á˘á‘­áá“‚á“‚á¤ á‘˛á‘­á’Ąá“‚á¦á’‹á&nbsp;}\\
{\textsfca á…á’Łá“‚á¤á™® áŠá‘żá“‚ á’Ąá‘•á¦á‘á’Ąá‘•á“‡á¤ áŠá˘á‘­á© áŠá“´á©}\\
{\textsfca ááŠá‘á˘á‘«á’‹á&nbsp; á…á‘• á’Şá“‚á‘á¸á™®}
\end{minipage}
  &amp;
\begin{minipage}{4.8cm}
{\sffamily  The masonry for the wall through time
  has been given to people of Manitoba
  by the international union of bricklayers
  and allied craftsmen local one Manitoba
  to commemorate 100 years of service, by
  Manitoba masonry contractors and by Manitoba
  masonry suppliers.}
\end{minipage}
\end{tabular}


    
\section{Devanagari}

Devanagari script is supported for the serifed font in Regular (10pt/8pt), Book (10pt/8pt),
and Bold (10pt). The fonts support Hindi (as the default), Sanskrit, Marathi and Nepali Languages.
The optional arguments for the \verb|fontspec| font-selection mechanism
must include

\noindent \verb|Script=Devanagari, Language=XXXX| where \verb|XXXX|
must be replaced with one of \verb|Hindi|, \verb|Sanskrit|, \verb|Marathi|, \verb|Nepali|.
If the \verb|Language| parameter is not set then the default is \verb|Hindi|.
For \LuaLaTeX\ the parameter \verb|Renderer=Harfbuzz| must also be included.

So if say Marathi is needed as the default font document then one can use the following:
\begin{verbatim}
\usepackage{fontspec}
\setmainfont[Script=Devanagari, Language=Marathi,% 
Renderer=Harfbuzz]{NewCM10Devanagari-Book.otf}
\end{verbatim}


The Devanagari fonts were developed with the help of {\devanagaritext ŕ¤¨ŕ¤żŕ¤°ŕ¤‚ŕ¤śŕ¤¨} (Niranjan)
whose name appears in the copyright section of the fonts and I also thank him for
providing the samples below.


\noindent A Sanskrit sample from {\sanskrittext ŕ¤¬ŕĄŕ¤ąŕ¤¦ŕ¤ľŕ¤°ŕ¤ŁŕĄŤŕ¤Żŕ¤•ŕĄ‹ŕ¤Şŕ¤¨ŕ¤żŕ¤·ŕ¤¦ŕĄŤ} (báą›hadÄraáą‡yakopaniáąŁad) follows:


\begin{center}
\fbox{\begin{minipage}{9cm}
{\hinditext
ŕĄ ŕ¤ŞŕĄ‚ŕ¤°ŕĄŤŕ¤Łŕ¤®ŕ¤¦ŕ¤ ŕ¤ŞŕĄ‚ŕ¤°ŕĄŤŕ¤Łŕ¤®ŕ¤żŕ¤¦ŕ¤‚, ŕ¤ŞŕĄ‚ŕ¤°ŕĄŤŕ¤Łŕ¤ľŕ¤¤ŕĄŤŕ¤ŞŕĄ‚ŕ¤°ŕĄŤŕ¤Łŕ¤®ŕĄŕ¤¦ŕ¤šŕĄŤŕ¤Żŕ¤¤ŕĄ‡ŕĄ¤\\
ŕ¤ŞŕĄ‚ŕ¤°ŕĄŤŕ¤Łŕ¤¸ŕĄŤŕ¤Ż ŕ¤ŞŕĄ‚ŕ¤°ŕĄŤŕ¤Łŕ¤®ŕ¤ľŕ¤¦ŕ¤ľŕ¤Ż ŕ¤ŞŕĄ‚ŕ¤°ŕĄŤŕ¤Łŕ¤®ŕĄ‡ŕ¤µŕ¤ľŕ¤µŕ¤¶ŕ¤żŕ¤·ŕĄŤŕ¤Żŕ¤¤ŕĄ‡ŕĄĄ
}

\medskip

That\footnote{the outer world} is complete;\\
this\footnote{the inner world} too is complete.\\
From one complete comes the other. Taking out\\
one complete from the other too results in a complete.
\end{minipage}}
\end{center}


\noindent Next is a beautiful part of a poem in Marathi
by {\marathitext ŕ¤¤ŕĄŕ¤•ŕ¤ľŕ¤°ŕ¤ľŕ¤®} (Tukaram) and its translation:

\medskip

\hspace*{-3cm}\begin{tabular}{l|l}
{\begin{minipage}{\widthof{\marathitext ŕ¤¤ŕĄŤŕ¤Żŕ¤ľŕ¤‚ŕ¤¸ŕ¤ż ŕ¤®ŕĄŤŕ¤ąŕ¤ŁŕĄ‡ ŕ¤śŕĄ‹ ŕ¤†ŕ¤ŞŕĄŕ¤˛ŕĄ‡ŕ¤‚ŕĄĄ ŕĄ§ ŕĄĄ}}
{\marathitext
%\noindent\begin{verse} 
ŕ¤śŕĄ‡ŕ¤‚ ŕ¤•ŕ¤ľŕ¤‚ ŕ¤°ŕ¤‚ŕ¤śŕ¤˛ŕĄ‡ŕ¤‚ ŕ¤—ŕ¤ľŕ¤‚ŕ¤śŕ¤˛ŕĄ‡ŕ¤‚ŕĄ¤\\
ŕ¤¤ŕĄŤŕ¤Żŕ¤ľŕ¤‚ŕ¤¸ŕ¤ż ŕ¤®ŕĄŤŕ¤ąŕ¤ŁŕĄ‡ ŕ¤śŕĄ‹ ŕ¤†ŕ¤ŞŕĄŕ¤˛ŕĄ‡ŕ¤‚ŕĄĄ ŕĄ§ ŕĄĄ\\
ŕ¤¤ŕĄ‹ ŕ¤šŕ¤ż ŕ¤¸ŕ¤ľŕ¤§ŕĄ ŕ¤“ŕ¤łŕ¤–ŕ¤ľŕ¤µŕ¤ľŕĄ¤\\
ŕ¤¦ŕĄ‡ŕ¤µ ŕ¤¤ŕĄ‡ŕ¤ĄŕĄ‡ŕ¤‚ ŕ¤šŕ¤ż ŕ¤śŕ¤ľŕ¤Łŕ¤ľŕ¤µŕ¤ľŕĄĄ
%\end{verse}
}
\end{minipage}}
           &amp;
\begin{minipage}{12cm}
      %\begin{verse}
  Only the one who treats the downtrodden people equally is a sage\footnote{\ ``The wise'' of course, not the plant.}.\\
        One may sense the essence of god there.\\
      %\end{verse}
    \end{minipage}
\end{tabular}
         

\bigskip
         
Devanagari Unicode letters (range U0900--U097F) are also available as variables (letters) and
numbers in the Regular and Book Math fonts. They are available as usually in three weights
in the Math fonts so that the color is balanced when in script size (eg in exponents or indices).
For this to work a version of \verb|fontsetup| package greater or equal to 1.8 with options
\verb|default| or \verb|olddefault| loaded is needed. This is because Devanagari letters are not
Math variables in Unicode standard and hence not supported currently as such by the
unicode-math package. To show this possibility next is a theorem in Hindi (mixing with Greek):

\medskip

%ŕ¤ŞŕĄŤŕ¤°ŕ¤®ŕĄ‡ŕ¤Ż (Î&nbsp;Ď…Î¸Î±ÎłĎŚĎÎ±Ď‚ - ŕ¤Şŕ¤żŕ¤Ąŕ¤ľŕ¤—ŕĄ‹ŕ¤°ŕ¤ľŕ¤¸)â€â€™
%\setmathfont[StylisticSet=4]{NewCMMath-Regular.otf}
\setmathfont[StylisticSet=4]{NewCMMath-Book.otf}
{\hinditext
\textbf{ŕ¤ŞŕĄŤŕ¤°ŕ¤®ŕĄ‡ŕ¤Ż}\,(\textrm{Î&nbsp;Ď…Î¸Î±ÎłĎŚĎÎ±Ď‚} (ŕ¤Şŕ¤żŕ¤Ąŕ¤ľŕ¤—ŕĄ‹ŕ¤°ŕ¤ľŕ¤¸)) ŕ¤…ŕ¤—ŕ¤° ŕ¤¸ŕ¤®ŕ¤•ŕĄ‹ŕ¤Ł ŕ¤¤ŕĄŤŕ¤°ŕ¤żŕ¤­ŕĄŕ¤ś ŕ¤•ŕĄ‡ ŕ¤•ŕ¤°ŕĄŤŕ¤Ł ŕ¤•ŕĄ€ ŕ¤˛ŕ¤‚ŕ¤¬ŕ¤ľŕ¤ ŕ¤•ŕĄ‹ â€ŕ¤…â€™ ŕ¤”ŕ¤°
ŕ¤…ŕ¤¨ŕĄŤŕ¤Ż ŕ¤¦ŕĄ‹ ŕ¤­ŕĄŕ¤śŕ¤ľŕ¤“ŕ¤‚ ŕ¤•ŕĄ€ ŕ¤˛ŕ¤‚ŕ¤¬ŕ¤ľŕ¤ ŕ¤•ŕĄ‹ â€ŕ¤•â€™ ŕ¤”ŕ¤° â€ŕ¤–â€™ ŕ¤•ŕ¤ąŕ¤¤ŕĄ‡ ŕ¤ąŕĄŕ¤‚, ŕ¤¤ŕĄ‹ ŕ¤­ŕĄŕ¤śŕ¤ľŕ¤“ŕ¤‚ ŕ¤•ŕĄ€ ŕ¤˛ŕ¤®ŕĄŤŕ¤¬ŕ¤ľŕ¤ ŕ¤•ŕĄ‡ ŕ¤µŕ¤°ŕĄŤŕ¤—ŕĄ‹ŕ¤‚ ŕ¤•ŕĄ€
ŕ¤śŕĄ‹ŕ¤ˇŕ¤Ľ, ŕ¤•ŕ¤°ŕĄŤŕ¤Ł ŕ¤•ŕĄ‡ ŕ¤µŕ¤°ŕĄŤŕ¤— ŕ¤śŕ¤żŕ¤¤ŕ¤¨ŕĄ€ ŕ¤ąŕĄ‹ŕ¤¤ŕĄ€ ŕ¤ąŕĄ, ŕ¤…ŕ¤°ŕĄŤŕ¤Ąŕ¤ľŕ¤¤ŕĄŤ
 $ŕ¤…^ŕĄ¨=ŕ¤•^ŕĄ¨+ŕ¤–^ŕĄ¨$ŕĄ¤
}
%\setmathfont{NewCMMath-Regular.otf}
\setmathfont{NewCMMath-Book.otf}


\bigskip

However, if only Devanagari numbers are needed with the source using arabic numerals
then one can use the Stylistic Set 04 of the Math font. 
So the command

%\noindent\verb|\setmathfont[StylisticSet=4]{NewCMMath-Regular.otf}|
\noindent\verb|\setmathfont[StylisticSet=4]{NewCMMath-Regular.otf}|
with source:
\begin{verbatim}
$$\sum_{n=0}^\infty \frac1{n!}x^n=1+x+\frac{1}{2!}x^2
   +\frac1{3!}x^3+\frac1{4!}x^4+\ldots=e^x.$$
$$9!=1\cdot2\cdot3\cdot4\cdot5\cdot6\cdot7\cdot8\cdot9.$$
$$2^{2^2}$$
\end{verbatim}
will have the following effect:


%\setmathfont[StylisticSet=4]{NewCMMath-Regular.otf}
\setmathfont[StylisticSet=4]{NewCMMath-Book.otf}

$$\sum_{n=0}^\infty \frac1{n!}x^n=1+x+\frac{1}{2!}x^2+\frac1{3!}x^3+\frac1{4!}x^4+\ldots=e^x.$$
$$9!=1\cdot2\cdot3\cdot4\cdot5\cdot6\cdot7\cdot8\cdot9.$$
$$2^{2^2}$$

\noindent which when the math font is reset to use Arabic numbers with

%\noindent\verb|\setmathfont{NewCMMath-Regular.otf}| it gives:
\noindent\verb|\setmathfont{NewCMMath-Book.otf}| it gives:

%\setmathfont{NewCMMath-Regular.otf}
\setmathfont{NewCMMath-Book.otf}
$$\sum_{n=0}^\infty \frac1{n!}x^n=1+x+\frac{1}{2!}x^2+\frac1{3!}x^3+\frac1{4!}x^4+\ldots=e^x.$$
$$9!=1\cdot2\cdot3\cdot4\cdot5\cdot6\cdot7\cdot8\cdot9.$$
$$2^{2^2}$$


\section{Medieval Latin and Uncial Greek}
The family includes new shapes for medieval and uncial Greek.
The \verb|fontsetup| package provides \verb|\textuncial{&lt;text&gt;}| and
\verb|{\uncial text}| to use this shape. Let us write a sentence
in this shape:
\begin{center}
  \begin{minipage}{9cm}
{\uncial    The Pythagorean Theorem is one of the most important theorems in Mathematics.}\\
{\uncial    Î¤Îż Î&nbsp;Ď…Î¸Î±ÎłĎŚĎÎµÎąÎż ÎÎµĎŽĎÎ·ÎĽÎ± ÎµÎŻÎ˝Î±Îą Î±Ď€ĎŚ Ď„Î± ĎÎ·ÎĽÎ±Î˝Ď„ÎąÎşĎŚĎ„ÎµĎÎ± Î¸Îµ\-Ď‰\-ĎÎ®\-ÎĽÎ±\-Ď„Î± Ď„Ď‰Î˝ MÎ±Î¸Î·ÎĽÎ±Ď„ÎąÎşĎŽÎ˝.}
  \end{minipage}
\end{center}
\section{Braille}
Braille, both 6dot (uni2801--uni283F)
as well as 8dit (uni2840--uni28FF) patterns
are included in two versions. The Regular font provides the
characters for sighted persons (such as teachers) so they can easily see which dots are
on and which off. The Sans font contains the true Braille characters. I decided to have the
sighted version in the Regular font since a blind person does not need the real Braille pattern,
as those are produced by embossers. The Braille patterns here are meant as fonts to
typeset text mainly for sighted persons.
\begin{center}
  \begin{tabular}{c|c|c}
    &amp; 6dot &amp; 8dot\\ \hline
    Regular version &amp; â&nbsp;…â&nbsp;†â&nbsp;‡â&nbsp;ťâ&nbsp;ž &amp; âˇ‚âˇâˇ„âˇšâˇ›\\ \hline
    Sans version &amp;{\sffamily â&nbsp;…â&nbsp;†â&nbsp;‡â&nbsp;ťâ&nbsp;ž} &amp;{\sffamily âˇ‚âˇâˇ„âˇšâˇ›}
  \end{tabular}
\end{center}

\section{Ipa symbols}

\acro{\textsc{ipa}} symbols are included and following a suggestion of Huanyu Liu
the kerning found in \texttt{tipa} package has been added here and further improved. Moreover
the letters eth, eng, beta, theta and chi
exists in \acro{\textsc{ipa}}-style in the fonts and are accessible in the ss05 lookup table since
they are in a different design from the Latin and Greek letters.
You can access this lookup table using the \verb|\textipa|
command of the fontsetup
package.
\begin{center}
  \begin{tabular}{c|c|c}
   &amp; Non-\acro{\textsc{ipa}} &amp; \acro{\textsc{ipa}}\\ \hline
 Regular &amp;   Ă° Ĺ‹ Î˛ Î¸ Ď‡ &amp; \textipa{Ă° Ĺ‹ Î˛ Î¸ Ď‡}\\ \hline
 Sans &amp; \textsf{Ă° Ĺ‹ Î˛ Î¸ Ď‡} &amp; \textsf{\textipa{Ă° Ĺ‹ Î˛ Î¸ Ď‡}}
  \end{tabular}
\end{center}

I am grateful to {\devanagaritext ŕ¤¨ŕ¤żŕ¤°ŕ¤‚ŕ¤śŕ¤¨} (Niranjan) for suggesting
and testing all the \textsc{ipa} improvements that follow:


The joining of two characters such as tÍśs, dÍśz, kÍˇp, tÍˇĘ etc is also supported.
The low tie is the character U035C and the upper tie is U0361. The tÍśs is produced by typing the
sequence t then the low tie and then s. Similarly kÍˇp is produced by typing the
sequence k then the upper tie and then p. For tÍśĘ and dÍśĘ’ the fonts have a contextual chaining
substitution table that uses a tie which prints lower so it does not touch Ę and Ę’.
In cases that one wants to show the tie as {\showtiefont xÍśyÍˇz} then one needs to
enable the cv5 character variant
since the tie characters (U035C and U0361) are marks and not base glyphs.
One can do that with a command
such as

\noindent\verb|\newfontfamily{\showtie}[CharacterVariant=5]{NewCM10-Book.otf}|

There is also an older practice that such sequences are joint into a ligature. This is
not the modern way of writing but it seems than many people in the linguistics still prefer it.
The fonts support this, if one enables the \verb|lipa| table (local ipa) of the fonts.
This can be done by adding the \verb|RawFeature=+lipa| to the font specs when loading it
and it is done automatically with the commands \verb|\textoldipa{arg}| and \verb|{\oldipatext arg}|
of the \verb|fontsetup| package.

For example, \verb|\textoldipa{ts, tĘ}| produces \textoldipa{ts, tĘ}. 

All other symbols of the \verb|tipa| package are supported. Some examples are:
\begin{center}
pĚš,  Ë, É«, lĚ&nbsp;, É–, Éź, Ę‚, eĚ¬, kĚĄ, mĚ©, tĚĽ, tĚş, etc.
\end{center}
It is worth noting that all of the above is also available in the Mono family:
\begin{ttfamily}
\begin{center}
|tÍśs|tÍˇĘ|\textoldipa{ts}|pĚš|Ë|É«|lĚ&nbsp;|É–|Éź|Ę‚|eĚ¬|kĚĄ|mĚ©|tĚĽ|tĚş|
\end{center}
\end{ttfamily}

Another issue is that \textsc{ipa} used to use the Italic alternation of ``g'' even in the
upright design. This restriction was lifted in \textsc{1949} as can
be seen on page \textsc{3} in \cite{2}. % https://doi.org/10.1017\%2FS002510030000476X

Even though the normal upright shape is accepted as an
alternation, there are linguists who prefer the older
(Italic) shape ``{\ipafont g}'' and hence we are making it the default in the
stylistic set dedicated for \textsc{ipa} (ss05).

Another such case is with the ``a'' shape. It has a different
visual form in Italics ``\textit{a}'' which resembles to a distinct symbol
of \textsc{ipa} leading to a wrong transcription. In order to avoid
this confusion, we have used the slanted version ``{\itshape\ipafont a}'' of ``a'' in
ss05. The other vowel symbol (ie, É‘ (U0251)) is also
available in the fonts.



Next we give a real example of using \acro{\textsc{ipa}} symbols. The quote below is from
\textit{A course in phonetics}, {Ladefoged, Peter and Johnson, Keith}, \textsc{(2014)},
{Cengage learning}, pp.~\textsc{285--286}, and the \texttt{StylisticSet=05} has been enabled:
\begin{quote}
  Other examples of this phenomenon have also been
  mentioned.  We saw that before {\ipafont [Ĺ‹]}, English
  does not distinguish between tense and lax vowels.
  Consequently, the vowel that occurs in, for example, sing
  has a quality between that of {\ipafont [i]} and {\ipafont
    [ÉŞ]}.  Similarly, there is no distinction between tense
  and lax vowels before {\ipafont [Éą]}. The vowel in here in
  most forms of American English is also intermediate
  between {\ipafont [i]} and {\ipafont [ÉŞ]}. The principle
  of maximum perceptual separation also accounts for some of
  the differences between languages. French has two high
  rounded vowels, {\ipafont [u]} as in \emph{tout} {\ipafont
    [tĚŞu]} ``all,'' and {\ipafont [y]} as in \emph{tu}
  {\ipafont [tĚŞy]} ``you.''
\end{quote}

A recent addition for \textsc{ipa} is the support of the Unicode block U1D80--U1DBF which
includes more letters with palatal and retroflex hook and more modifier small letters.
Eg.
\begin{center}
  \begin{tabular}{|c|c|}\hline
Upright &amp; Italic\\ \hline
    á¶€ á¶‚ á¶ á¶‰ á¶‹ á¶Ś á¶• á¶” á¶™ á¶š á¶› á¶ž á¶˝ á¶ż &amp;\textit{á¶€ á¶‚ á¶ á¶‰ á¶‹ á¶Ś á¶• á¶” á¶™ á¶š á¶› á¶ž á¶˝ á¶ż}\\ \hline
    Sans Upright &amp; Sans Oblique\\ \hline
    \textsf{á¶€ á¶‚ á¶ á¶‰ á¶‹ á¶Ś á¶• á¶” á¶™ á¶š á¶› á¶ž á¶˝ á¶ż}&amp; \textsf{\itshape á¶€ á¶‚ á¶ á¶‰ á¶‹ á¶Ś á¶• á¶” á¶™ á¶š á¶› á¶ž á¶˝ á¶ż}\\
    \hline
  \end{tabular}                        
\end{center}


\section{Currency Symbols}

Support for currency symbols block U20A0--U20C0 in all text fonts (except uncials).
\begin{center}
  \begin{tabular}{rl}
Roman:&amp; â‚&nbsp;â‚ˇâ‚˘â‚Łâ‚¤â‚Ąâ‚¦â‚§â‚¨â‚©â‚Şâ‚«â‚¬â‚­â‚®â‚Żâ‚°â‚±â‚˛â‚łâ‚´â‚µâ‚¶â‚·â‚¸â‚ąâ‚şâ‚»â‚Ľâ‚˝â‚ľâ‚żâ€\\
Sans:&amp; \textsf{â‚&nbsp;â‚ˇâ‚˘â‚Łâ‚¤â‚Ąâ‚¦â‚§â‚¨â‚©â‚Şâ‚«â‚¬â‚­â‚®â‚Żâ‚°â‚±â‚˛â‚łâ‚´â‚µâ‚¶â‚·â‚¸â‚ąâ‚şâ‚»â‚Ľâ‚˝â‚ľâ‚żâ€}\\
    Mono:&amp; \texttt{â‚&nbsp;â‚ˇâ‚˘â‚Łâ‚¤â‚Ąâ‚¦â‚§â‚¨â‚©â‚Şâ‚«â‚¬â‚­â‚®â‚Żâ‚°â‚±â‚˛â‚łâ‚´â‚µâ‚¶â‚·â‚¸â‚ąâ‚şâ‚»â‚Ľâ‚˝â‚ľâ‚żâ€}
  \end{tabular}
\end{center}
Interesting is the design of Spanish Peseta in the Mono family
(seen enlarged in the margin) were we have
to fit essentially three letters in the width of the Mono font.
\marginpar{\scalebox{2}{\texttt{\huge â‚§}}}
%\begin{center}
%{Roman: \huge â‚§}\hspace{1cm}{Mono: \texttt{\huge â‚§}}
%\end{center}


Especially for the Rupee sign (U20B9) the upright serifed
non-Devanagari fonts have the ``latinized''
version, but to avoid changing fonts they also provide the Devanagari
version in CharacterVariant 7. So the code
\begin{verbatim}
\begin{LARGE}
\begin{center}
  100\,â‚ą \hspace{2cm} {\addfontfeatures{CharacterVariant=7}100\,â‚ą}
\end{center}
\end{LARGE}
\end{verbatim}
gives
\begin{LARGE}
\begin{center}
  100\,â‚ą \hspace{2cm} {\addfontfeatures{CharacterVariant=7}100\,â‚ą}
\end{center}
\end{LARGE}



\section{Bold Sans}
\texttt{lm} fonts and \texttt{cmu} fonts do not contain a properly made
BoldSans. Their BoldSans is a stroke-extensi\-on of the Sans with rounded corners.
NewCM fixes that and provides a true BoldSans:

\hspace*{-5ex}\begin{tabular}{c|c}
  LM &amp; NewCM\\ \hline
  &amp; \\
  \scalebox{6.8}{\lmboldsans XÎž}&amp;\scalebox{6.8}{\textsf{\bfseries XÎžĐŻĐ”Đ›}}
\end{tabular}


\section{Food Allergies}

Food allergy symbols have long been proposed to be accepted to
Unicode standard but there has not been any progress up to now.
The Sans 10 Regular and Book include standard allergy symbols
in the Private Use Area. Each glyph is named after what it represents.
For example, the soya symbol is named ``soya'' so copying the symbol
from a pdf file and pasting elsewhere you will get its name, that is ``soya''.
The symbols are in positions U+E033 to U+E040 and can be accessed using the
commands of the next table.
\begin{sffamily}
  \newcommand{\fdal}[2]{\begin{minipage}[c]{2.5cm}\begin{center}\ \  \\[1.5ex] \scalebox{4}{\char"#1}\\ \textsc{#2}\\[-1ex] \ \ \end{center}\end{minipage}}
% \newcommand\crustaceans{\begin{minipage}[c]{1cm}\begin{center}\scalebox{4}{\char"E033}\\ \textsc{crustaceans}\end{center}\end{minipage}}
%\newcommand\eggs{\begin{minipage}[c]{1cm}\scalebox{4}{\char"E034}\\ \textsc{eggs}\end{minipage}}
\begin{center}
    \begin{tabular}{|l|c||l|c|}\hline
    \verb|\char"E033| &amp; \fdal{E033}{crustaceans} &amp; \verb|\char"E034| &amp; \fdal{E034}{eggs}\\ \hline
    \verb|\char"E035| &amp; \fdal{E035}{gluten} &amp; \verb|\char"E036| &amp; \fdal{E036}{fish}\\ \hline
    \verb|\char"E037| &amp; \fdal{E037}{lupin} &amp; \verb|\char"E038| &amp; \fdal{E038}{milk}\\ \hline
      \verb|\char"E039| &amp; \fdal{E039}{molluscs} &amp; \verb|\char"E03A| &amp; \fdal{E03A}{mustard}\\ \hline
    \end{tabular}
  \end{center}
\begin{center}
  \begin{tabular}{|l|c||l|c|}\hline
    \verb|\char"E03B| &amp; \fdal{E03B}{peanut} &amp; \verb|\char"E03C| &amp; \fdal{E03C}{sesame}\\ \hline
    \verb|\char"E03D| &amp; \fdal{E03D}{soya} &amp; \verb|\char"E03E| &amp; \fdal{E03E}{treenuts}\\ \hline
    \verb|\char"E03F| &amp; \fdal{E03F}{celery} &amp;  \verb|\char"E040| &amp; \fdal{E040}{SO$_2$}\\ \hline
    \end{tabular}
\end{center}
\end{sffamily}


\section{Unicode Math coverage and options}
NewCM provides
full Unicode math support, that is 
 all Mathematics Unicode Slots
 presented in \url{http://www.unicode.org/charts/}
  in the Math weights, Regular, Book and Bold. These blocks are:
\hspace*{-5em} \begin{description}
\item[Mathematical Symbols]
\ \\
Arrows (uni2190--uni21FF)\\
Supplemental Arrows-A (uni27F0--uni27FF)\\
Supplemental Arrows-B (uni2900--uni297F)\\
Supplemental Arrows-C (u1F800--u1F8FF)\\
Additional Arrows (uni2B00--uni2BFF)\\
Miscellaneous Symbols and Arrows (uni2B00--uni2BFF)
\item[Mathematical Alphanumeric Symbols] 
\ \\ (u1D400--u1D7FF)\\
     Arabic Mathematical Alphabetic Symbols\\ (u1EE00--u1EEFF)\\
     Letterlike Symbols (uni2100--uni214F)
\item[Mathematical Operators] 
\ \\ (uni2200--uni22FF)\\
    Basic operators: Plus, Factorial\\ (uni0000--uni007F)\\
             Division, Multiplication\\ (uni0080--uni00FF)\\
    Supplemental Mathematical Operators\\ (uni2A00--uni2AFF)\\
    Miscellaneous Mathematical Symbols-A\\ (uni27C0--uni27EF)\\
    Miscellaneous Mathematical Symbols-B\\ (uni2980--uni29FF)\\
    Floors and Ceilings (uni2308--uni230B)\\
    Invisible Operators (uni2061--uni2064)
  \item[Geometric Shapes (uni25A0--25FF)]
    \ \\
   Additional Shapes (uni2B00--uni2BFF)\\
   Box Drawing (uni2500--uni257F)\\
   Block Elements (uni2580--uni259F)\\
   Geometric Shapes Extended (u1F780--u1F7FF)
   \end{description}

\begin{wrapfigure}[8]{o}{0.08\textwidth}\vspace*{-1\baselineskip}
\ \\[2ex]
  \scalebox{8}{\color{gray}$\char"2BDA$}
\end{wrapfigure}
  Unfortunately, the \texttt{unicode-math} package does not
provide commands currently for the hundrends of extra glyphs that have been added
in order to fully cover the above Unicode ranges. The user can 
consult the Unicode charts at the above link and access the required 
glyph with \verb|\char"#| where \#\ is the Unicode number of the
slot the glyph belongs to. 

For example, \verb|\char"2BDA| will give the Hygeia symbol
(uni2BDA) the Rod of Asclepius as shown above (grayed and scaled $\times 8$). The glyph
that appeared in TUGboat (see \cite{1}), being more realistic will be moved to
a new font in the future with ornaments.


\subsection{Bold Math}

A complete math font, such as NewCM, contains all alphabetic characters in bold too.
These characters are typically accessed using the \verb|\mathbf| command. However,
this is not true for bold versions of symbols. This creates difficulties
when a user has some math in chapter or section titles, or when a user wants to
create a poster with colored background. In the later case the Regular and Book
weights look too light (especially with dark backgrounds) and one is in need
of a real Bold Math font, that has everything in Bold.

NewCM, starting from version 6.0.0 provides an independent Bold Math font for the
first time for a Computer Modern font family.
Let us compare:

Book inline: $\sqrt[3]{x+y\pm 1}=\sum_{n=1}^\infty \int_{K}f_n(x)\,dx$ and the same in display
$$\sqrt[3]{x+y\pm 1}=\sum_{n=1}^\infty \int_{K}f_n(x)\,dx.$$

\setmathfont{NewCMMath-Bold.otf} %[version=bold]
%\mathversion{bold}

Bold inline: $\sqrt[3]{x+y\pm 1}=\sum_{n=1}^\infty \int_{K}f_n(x)\,dx$ and the same in display
$$\sqrt[3]{x+y\pm 1}=\sum_{n=1}^\infty \int_{K}f_n(x)\,dx.$$

Bold Math with colors inverted:

\medskip


\begin{pspicture}(0,0)(10,2)
\psframe[fillstyle=solid,fillcolor=black](1.5,0)(9.5,2)
\rput(5.5,1){{\color{white}$\displaystyle\sqrt[3]{x+y\pm 1}=\sum_{n=1}^\infty \int_{K}f_n(x)\,dx.$}}
\end{pspicture}

In order to use the Bold font for chapter and section titles, when using the \verb|default|
or \verb|olddefault| options of the \verb|fontsetup| package, change the math version
to bold with \verb|\mathversion{bold}| \textit{before} the commands for chapter and section
and switch back to normal with \verb|\mathversion{normal}| \textit{afterwards}.

%\mathversion{normal}
\setmathfont{NewCMMath-Book.otf}

\subsection{Optical sizes for more glyphs}
So far the fonts provided optical sizes for 1st and 2nd order exponents for letters. This was
not true though for binary operators and some symbols commonly used in mathematics.
For example, the \verb|\perp| symbol ($\perp$) often appears in 2nd order exponents
and then it appeared very thin. Some printers could even hardly print its thin lines.
Now, such glyphs plus several binary operators, such as $+$, $-$, $\pm$, $\dotplus$ etc
are now provided in optical sizes, so that expressions such as
$$+^{+^+}\ \perp^{\perp^\perp}\ *^{*^*}\quad\frac{|P_{F^\perp}(K)|}{e^{(x+y)^*}}$$
appear on screen and print properly on printers.
Zoom or print and compare with \texttt{lat\-in\-modern-math} font:
\begin{center}
  \includegraphics{opticalmathlm-cropped.pdf}
\end{center}


\subsection{Math Script}

Calligraphic letters are accessed as usual with \verb|\mathcal| producing
$$\mathcal{ABCDEFGHIJKLMNOPQRSTUVWXYZ}$$

However, mathematicians often need a second level of ``scriptness''. The fonts
provide an alternative calligraphic, a script design at StylisticSet 1. For this to work
one has to re-set the math font using

\noindent\verb|\setmathfont[StylisticSet=1]{NewCMMath-Book.otf}|

(or the Regular version). So the following code
\begin{verbatim}
$$\mathcal{ABCDEFGHIJKLMNOPQRSTUVWXYZ}$$
\setmathfont[StylisticSet=1]{NewCMMath-Book.otf}
$$\mathcal{ABCDEFGHIJKLMNOPQRSTUVWXYZ}$$
$$
\mscra\mscrb\mscrc\mscrd\mscre\mscrf\mscrg\mscrh\mscri\mscrj
\mscrk\mscrl\mscrm\mscrn\mscro\mscrp\mscrq\mscrr\mscrs\mscrt
\mscru\mscrv\mscrw\mscrx\mscry\mscrz
$$
\setmathfont{NewCMMath-Book.otf}
$$\mathcal{ABCDEFGHIJKLMNOPQRSTUVWXYZ}$$
\end{verbatim}
produces
$$\mathcal{ABCDEFGHIJKLMNOPQRSTUVWXYZ}$$\setmathfont[StylisticSet=1]{NewCMMath-Book.otf}$$\mathcal{ABCDEFGHIJKLMNOPQRSTUVWXYZ}$$
$$
\mscra\mscrb\mscrc\mscrd\mscre\mscrf\mscrg\mscrh\mscri\mscrj\mscrk\mscrl\mscrm\mscrn\mscro\mscrp\mscrq\mscrr\mscrs\mscrt\mscru\mscrv\mscrw\mscrx\mscry\mscrz
$$
\setmathfont{NewCMMath-Book.otf}$$\mathcal{ABCDEFGHIJKLMNOPQRSTUVWXYZ}$$


\subsection{Blackboard Bold}
The fonts contain as default the \textsc{ams} blackboard bold. These are:

$$\mathbb{ABCDEFGHIJKLMNOPQRSTUVWXYZ}$$
$$\mathbb{abcdefghijklmnopqrstuvwxyz}$$
$$\mathbb{0123456789\ \pi\gamma\Gamma\Pi\Sigma\mitBbbD\mitBbbd\mitBbbe\mitBbbi\mitBbbj}$$

They also contain a blackboard bold that matches the design of Computer Modern
but respecting the fact that most users have been used for a long period to
the AMS bb design. Compare
the
default \begin{center}{\LARGE $\textup{R}\in\mathbb R\qquad \textup{Q}\in\mathbb Q$}
\end{center}
with the new design
\setmathfont[StylisticSet=3]{NewCMMath-Book.otf}
\begin{center}
{\LARGE $\textup{R}\in\mathbb R\qquad \textup{Q}\in\mathbb Q$}
\end{center}

\setmathfont{NewCMMath-Book.otf}

To access this design one needs to load the math font enabling the
\verb|ss03| stylistic set using for example

\noindent\verb|\setmathfont[StylisticSet=3]{NewCMMath-Book.otf}|
Then the above blackboard bold design changes to
\setmathfont[StylisticSet=3]{NewCMMath-Book.otf}
$$\mathbb{ABCDEFGHIJKLMNOPQRSTUVWXYZ}$$
$$\mathbb{abcdefghijklmnopqrstuvwxyz}$$
$$\mathbb{0123456789\ \pi\gamma\Gamma\Pi\Sigma\mitBbbD\mitBbbd\mitBbbe\mitBbbi\mitBbbj}$$

\setmathfont{NewCMMath-Book.otf}
\newsavebox{\emptysetdefault}
\savebox{\emptysetdefault}{$\emptyset$}

\setmathfont[CharacterVariant=1]{NewCMMath-Book.otf}

If using the latest \verb|fontsetup|
then you can choose the NewCM blackboard bold
with the option \verb|newcmbb|.

\subsubsection{Small Caps for Blackboard Bold}

It happens one to need Blackboard Bold in Small Caps. For example,
this may arise when running heads
are in small caps and contain a Blackboard Bold symbol. Consider for example
the case when a chapter is named ``The Lebesgue measure on $\mathbb R$''.
Then the running head in small caps will look awkward:
\begin{center}
\textsc{the lebesgue measure on} $\mathbb R$
\end{center}
In such cases, a small caps version of the number sets is needed. NewCM provides
the needed glyphs in \verb|ss05|. So setting

\noindent\verb|\setmathfont[StylisticSet=5]{NewCMMath-Book.otf}|

\noindent the above
running head becomes:
\setmathfont[StylisticSet=5]{NewCMMath-Book.otf}
\begin{center}
\textsc{the lebesgue measure on} $\mathbb R$
\end{center}
\setmathfont{NewCMMath-Book.otf}
These glyphs are provided in the CM style (instead of the AMS bb)
by enabling \verb|ss03| too. So the command

\noindent\verb|\setmathfont[StylisticSet=3,StylisticSet=5]{NewCMMath-Book.otf}|

\noindent will produce:
\setmathfont[StylisticSet=3,StylisticSet=5]{NewCMMath-Book.otf}
\begin{center}
\textsc{the lebesgue measure on} $\mathbb R$
\end{center}
\setmathfont[CharacterVariant=1]{NewCMMath-Book.otf}
The same is true for the Regular and Bold Math fonts.

\subsection{Upright and extensible integrals}
The Math fonts (both Regular and Book weights) include upright integrals
in the ss02 StylisticSet.
Use with

\medskip

\noindent\verb|\setmathfont[StylisticSet=2]{NewCMMath-Book.otf}|

\noindent or

\noindent\verb|\setmathfont[StylisticSet=2]{NewCMMath-Regular.otf}|

\medskip

\noindent or use the \verb|upint| option of the \texttt{fontsetup} package with
\begin{verbatim}
\usepackage[upint,default]{fontsetup}
\end{verbatim}
for the Book weight, or
\begin{verbatim}
\usepackage[upint,olddefault]{fontsetup}
\end{verbatim}
for the regular weight.


Moreover, extensible integrals are supported by the fonts but \textit{NOT} by the Unicode TeX
engines.
The following code is a trick so that extensible integrals can be
constructed using \LuaLaTeX. The result is shown at the end
of the article.
What the  code below does, is that it defines the slot uni222B (integral) as
a delimiter. And then this is extended as a delimiter with the mechanism that
the font provides.

\begin{tabular}{l|r}
  \begin{minipage}[c]{6cm}
\begin{verbatim}
\documentclass{article}
\usepackage[default]{fontsetup}
\begin{document}
$
\Uleft\Udelimiter 0 0 "222B
\begin{pmatrix}
  1\\2\\3\\4\\5\\6\\7\\8\\9
\end{pmatrix}
\Uright.
$
\end{document}
\end{verbatim}
  \end{minipage}
  &amp;
  \begin{minipage}[c]{4cm}
\begin{center}
    \includegraphics{integral.pdf}
\end{center}
\end{minipage}
\end{tabular}

\subsection{Additional and alternative characters in Math}

\subsubsection{Alternative symbols}

The Math fonts provide the character \verb|\varnothing| ($\varnothing$), as
an alternative to \verb|\emptyset| (\usebox{\emptysetdefault}),
through Character Variant \verb|cv01|. The \verb|fontsetup| package provides the option 
`\verb|varnothing|' to easily switch to the alternative character.


\subsubsection{Additional symbols}

%\newcommand{\twoheadhookrightarrow}{\char"E034}
%\newcommand{\twoheadhookleftarrow}{\char"E035}

It also provides four more arrows that correspond to the commands

\medskip

  \verb|\nrightrightarrows| ($\nrightrightarrows$) \quad \verb|\nleftleftarrows| ($\nleftleftarrows$)

\noindent and

\verb|\twoheadhookrightarrow| ($\twoheadhookrightarrow$)\quad \verb|\twoheadhookleftarrow| ($\twoheadhookleftarrow$)


\medskip

\noindent
and supported by the \verb|default| and \verb|olddefault| options of the \verb|fontsetup| package.
These symbols are not in the Unicode Standard and so they are added in the
Private Area of the fonts. 

\subsubsection{Additional operators}

An operator for convolution of functions seems to have long been forgotten from both
Unicode and the \TeX\ world.
The \verb|default| and \verb|olddefault| options of the \verb|fontsetup| package
define a new command \verb|\convolution| which behaves just like the \verb|\sum| and
\verb|\int| operators.
The convolution of $N$ functions in inline mode: $\convolution_{n=1}^N f_n$ and the same
in display mode: $$\convolution_{n=1}^N f_n.$$

\subsubsection{``Smoother'' changing radicals}

One more radical size has been added that improves the way radical sizes change. Compare
the previous state 
\setmathfont{latinmodern-math.otf}
$$\sqrt{q}\quad\sqrt{q_1^2}\quad\sqrt{q_1^{2^3}}\quad\sqrt{\frac12}$$ with the new one
\setmathfont[CharacterVariant=1]{NewCMMath-Book.otf}
$$\sqrt{q}\quad\sqrt{q_1^2}\quad\sqrt{q_1^{2^3}}\quad\sqrt{\frac12}.$$


\subsection{Notes on Mathematics}

Extensible tildes and hats produce different results
with \XeLaTeX\ and \LuaLaTeX\ because these unicode
engines treat differently the width of characters. In particular, \XeLaTeX\ handles italic
correction as part of the character width but \LuaLaTeX\ does this only if a character
follows. This affects how extensible accents like \verb|\widehat| or \verb|\widetilde|
select the proper size. With \XeLaTeX, \verb|\widetilde{Y}| \verb|\widetilde{X}| will give the
expected result $\widetilde{Y}\widetilde{X}$; but with \LuaLaTeX\ the letter $Y$ is
narrower (and its italic correction is not taken into account if it stands alone)
and gets the plain tilde size, as in $\tilde{Y}$. To bypass this with \LuaLaTeX\ one
has to use a zero width character after a letter such as $Y$ so that
\LuaLaTeX\ takes into account the italic correction of $Y$. For example with
\begin{center}\verb|\widetilde{Y\Uchar"200D}|
\end{center}
the result will be correct (U200D is the ``Zero Width Joiner'' in Unicode).

I thank Ulrike Fischer for this solution.


\section{The Medieval Latin and Uncial Greek glyph complement}


\displayfonttable[hex-digits=head+foot, range-end=03CE]{NewCMUncial10-Book.otf}


\section{The Aegean Numbers glyph complement}
\label{AegeanNumbers}

\begin{tabular}{|c|c||c|c|}\hline
\verb|\aegeanseparator| &amp;\aegeanseparator&amp;             \verb|\aegeaneighthundred| &amp;\aegeaneighthundred\\ \hline                          
\verb|\aegeanseparatordot| &amp;\aegeanseparatordot&amp;       \verb|\aegeanninehundred| &amp;\aegeanninehundred\\ \hline                            
\verb|\aegeancheckmark| &amp;\aegeancheckmark&amp;             \verb|\aegeanonethousand| &amp;\aegeanonethousand\\ \hline                            
\verb|\aegeanone| &amp;\aegeanone&amp;                         \verb|\aegeantwothousand| &amp;\aegeantwothousand\\ \hline                            
\verb|\aegeantwo| &amp;\aegeantwo&amp;                         \verb|\aegeanthreethousand| &amp;\aegeanthreethousand\\ \hline                        
\verb|\aegeanthree| &amp;\aegeanthree&amp;                     \verb|\aegeanfourthousand| &amp;\aegeanfourthousand\\ \hline                          
\verb|\aegeanfour| &amp;\aegeanfour&amp;                       \verb|\aegeanfivethousand| &amp;\aegeanfivethousand\\ \hline                          
\verb|\aegeanfive| &amp;\aegeanfive&amp;                       \verb|\aegeansixthousand| &amp;\aegeansixthousand\\ \hline                            
\verb|\aegeansix| &amp;\aegeansix&amp;                         \verb|\aegeanseventhousand| &amp;\aegeanseventhousand\\ \hline                        
\verb|\aegeanseven| &amp;\aegeanseven&amp;                     \verb|\aegeaneightthousand| &amp;\aegeaneightthousand\\ \hline                        
\verb|\aegeaneight| &amp;\aegeaneight&amp;                     \verb|\aegeanninethousand| &amp;\aegeanninethousand\\ \hline                          
\verb|\aegeanine| &amp;\aegeanine&amp;                         \verb|\aegeantenthousand| &amp;\aegeantenthousand\\ \hline                            
\verb|\aegeanten| &amp;\aegeanten&amp;                         \verb|\aegeantwentythousand| &amp;\aegeantwentythousand\\ \hline                      
\verb|\aegeantwenty| &amp;\aegeantwenty&amp;                   \verb|\aegeanthirtythousand| &amp;\aegeanthirtythousand\\ \hline                      
\verb|\aegeanthirty| &amp;\aegeanthirty&amp;                   \verb|\aegeanfourtythousand| &amp;\aegeanfourtythousand\\ \hline                      
\verb|\aegeanfourty| &amp;\aegeanfourty&amp;                   \verb|\aegeanfiftythousand| &amp;\aegeanfiftythousand\\ \hline                        
\verb|\aegeanfifty| &amp;\aegeanfifty&amp;                     \verb|\aegeansixtythousand| &amp;\aegeansixtythousand\\ \hline                        
\verb|\aegeansixty| &amp;\aegeansixty&amp;                     \verb|\aegeanseventythousand| &amp;\aegeanseventythousand\\ \hline                    
\verb|\aegeanseventy| &amp;\aegeanseventy&amp;                 \verb|\aegeaneightythousand| &amp;\aegeaneightythousand\\ \hline                      
\verb|\aegeaneighty| &amp;\aegeaneighty&amp;                   \verb|\aegeanninetythousand| &amp;\aegeanninetythousand\\ \hline                      
\verb|\aegeanninety| &amp;\aegeanninety&amp;                   \verb|\aegeanweightbaseunit| &amp;\aegeanweightbaseunit\\ \hline                      
\verb|\aegeanonehundred| &amp;\aegeanonehundred&amp;           \verb|\aegeanweightfirstsubunit| &amp;\aegeanweightfirstsubunit\\ \hline              
\verb|\aegeantwohundred| &amp;\aegeantwohundred&amp;           \verb|\aegeanweightsecondsubunit| &amp;\aegeanweightsecondsubunit\\ \hline            
\verb|\aegeanthreehundred| &amp;\aegeanthreehundred&amp;       \verb|\aegeanweightthirdsubunit| &amp;\aegeanweightthirdsubunit\\ \hline              
\verb|\aegeanfourhundred| &amp;\aegeanfourhundred&amp;         \verb|\aegeanweightfourthsubunit| &amp;\aegeanweightfourthsubunit\\ \hline            
\verb|\aegeanfivehundred| &amp;\aegeanfivehundred&amp;         \verb|\aegeandrymeasurefirstsubunit| &amp;\aegeandrymeasurefirstsubunit\\ \hline      
\verb|\aegeansixhundred| &amp;\aegeansixhundred&amp;           \verb|\aegeanliquidmeasurefirstsubunit| &amp;\aegeanliquidmeasurefirstsubunit\\ \hline
\verb|\aegeansevenhundred| &amp;\aegeansevenhundred&amp;       \verb|\aegeansecondsubunit| &amp;\aegeansecondsubunit\\ \hline                        
            &amp; &amp;                                        \verb|\aegeanthirdsubunit| &amp;\aegeanthirdsubunit\\ \hline                          
\end{tabular}





\begin{thebibliography}{9}
\bibitem[\textsc{at}]{1} Antonis Tsolomitis, \textit{The NewComputerModern font family}, \textsc{tug}boat Vol.~\textsc{42}, No.~\textsc{1}, \textsc{2021}.
\bibitem[\textsc{ipa}rev]{2} Council actions on revisions of the \textsc{ipa}, Phonetic Representation: b) Revision of the \textsc{ipa}, Journal of the International Phonetic Association, Volume \textsc{23}, Issue \textsc{1},
  June \textsc{1993},
  pp.~\textsc{32--34}. 
\end{thebibliography}
\end{document}
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